Valmond Maurice "Val" Guest (11 December 1911 - 10 May 2006) was an English film director and screenwriter. Beginning as a writer (and later director) of comedy films, he is best known for his work for Hammer, for whom he directed 14 films, and science fiction films. He enjoyed a long career in the film industry from the early 1930s until the early 1980s.
Video Val Guest
Early life and career
He was born Valmond Maurice Guest to parents John Simon Guest and Julia Ann Gladys Emanuel in Maida Vale, London. His father was a jute broker, and the family spent some of Guest's childhood in India before returning to England. His parents divorced when he was young, but this information was kept from him. Instead he was told that his mother had died. He was educated at Seaford College in Sussex, but left in 1927 and worked for a time as a bookkeeper.
Guest's initial career was as an actor, appearing in various productions in London theatres. He also appeared in a few early sound film roles, before he quit acting and began a writing career.
Writer
For a time, around 1934, he was the London correspondent for The Hollywood Reporter trade paper at the time when the publication began an edition for the UK. before he began working on film screenplays for Gainsborough Pictures.
This came about because the director Marcel Varnel had been incensed by comments Guest had made in his regular column, "Rambling Around", about the director's latest film. Challenged to write a screenplay by Varnel, Guest co-wrote his first script, which became No Monkey Business (1935) directed by Varnel. This was to be the beginning of a long and fruitful partnership between the two men. Guest was placed under contract as a staff writer at Gainsborough's Islington Studios in Poole Street.
Guest wrote screenplays for the rest of the decade. His credits included All In (1936) for Varnel; Public Nuisance No. 1 (1936); A Star Fell from Heaven (1936); O-Kay for Sound (1937) for Varnel with The Crazy Gang; Alf's Button Afloat (1938) with Flanagan and Allen. He also wrote the Will Hay comedies Oh, Mr Porter! (1937) and Ask a Policeman (1939). He wrote Hi Gang! (1941) for Ben Lyon and Bebe Daniels.
Maps Val Guest
Directing career
Guest became a fully-fledged director in the early 1940s (he had been responsible for some second-unit work previously). His first film was an Arthur Askey short, The Nose Has It (1942), warning of the dangers of spreading infection.
Guest's debut feature was Miss London Ltd. (1943), again with Askey; Guest had worked on the scripts of earlier Askey films. He continued to be involved with the film industry for the next 40 years as director and screenwriter. He also produced some of this large number of films.
Guest's second feature as director also starred Askey, Bees in Paradise (1944). He followed this with two films starring Vic Oliver and Margaret Lockwood, Give Us the Moon (1944) and I'll Be Your Sweetheart (1945);the latter was the first and only musical from Gainsborough Studios.
Guest directed two films based on the Just William stories, Just William's Luck (1947) and William Comes to Town (1948). He wrote and directed a thriller, Murder at the Windmill (1949).
Yolande Donlan
Guest then made the comedy Miss Pilgrim's Progress (1949) with Yolande Donlan who became his wife. The two reunited on The Body Said No! (1950); Mister Drake's Duck (1951), with Douglas Fairbanks Jr.; Penny Princess (1952) with Dirk Bogarde.
Hammer Films
Guest began an association with Hammer films when he directed The Men of Sherwood Forest (1954). After The Runaway Bus (1955) with Frankie Howerd he made Life with the Lyons (1955) with Daniels and Lyon, a spin off of their radio show. It was popular enough for Guest to make a sequel The Lyons in Paris (1955).
He did a thriller Break in the Circle (1954) and Dance, Little Lady (1954).
Despite his career in comedy films, he was offered the chance to direct Hammer's first Quatermass film, adapted from the BBC television serial by Nigel Kneale. Uncertain about taking it on, (he was not a fan of science fiction), he was persuaded to do so by his wife, the American actress Yolande Donlan. Guest shot The Quatermass Xperiment (1955) as though it was a television documentary. Its success led the Hammer company changing its direction.
He followed it with a drama They Can't Hang Me (1955) and musical It's a Wonderful World (1956). Republic Pictures hired him to make the thriller The Weapon (1956) and he directed a comedy, Carry On Admiral (1957).
Quatermass had been a big hit and Hammer asked Guest to direct the first sequel, Quatermass 2 (1957). They also used him to do The Abominable Snowman (1957), from a Kneale TV play, and a POW movie, The Camp on Blood Island (1958).
Guest made a comedy Up the Creek which led to a sequel Further Up the Creek (1958).
Hammer asked him back to do another war movie, Yesterday's Enemy(1959) with Stanley Baker. Then he made the film version of Expresso Bongo (1959) with Dolan, giving an early role to Cliff Richard.
Guest returned to comedy with Life Is a Circus (1960) starring Bud Flanagan. He made another for Hammer with Stanley Baker, a tough crime film, Hell Is a City (1960). He followed this with a thriller for Hammer, The Full Treatment (1960).
Guest's next film was perhaps his most famous: The Day the Earth Caught Fire (1961) which won Guest and Wolf Mankowitz a BAFTA Award for Best Screenplay.
Guest madeJigsaw (1962) and 80,000 Suspects (1963). The Beauty Jungle (1964) was an expose on beauty competitions. Where the Spies Are (1965) was a spy film for MGM starring David Niven.
Later career
Guest was one of five credited directors (another was John Huston) to work on the spoof James Bond film Casino Royale (1967), a critically mauled picture in its day. Producer Charles K. Feldman asked Guest if he would direct, linking material to make what was left uncompleted, after the departure of Peter Sellers from the project, into a coherent narrative. Guest opted for an 'Additional Sequences' credit after he saw the completed film.
He made a thriller Assignment K (1968) then a musical Toomorrow (1970), a film with Olivia Newton-John in the lead. According to Christopher Hawtree, it is "a staggeringly dreadful movie". Guest issued an injunction against Harry Saltzman, the producer, because he had not been paid for his work, and the film was quickly pulled from screenings. Around the same time, Guest wrote and directed When Dinosaurs Ruled the Earth (1970) for Hammer.
Guest directed the soft core sex comedy Au Pair Girls (1972) and he followed this by directing the first of the Confessions of... series of sex comedy films, Confessions of a Window Cleaner (1974). By now, he was working in television, directing episodes of series such as The Adventurer (1972-73), Space: 1999 (1976-77), and The Persuaders! (1971-72).
He did direct some features including Killer Force (1976).
Guest's final feature film work was writing and directing The Boys in Blue (1982), a vehicle for the British comedy double act Cannon and Ball. The film was a remake of a Will Hay picture, Ask a Policeman (1939), which Guest himself had co-written. An autobiography, So You Want to be in Pictures, was published in 2001.
His last professional work was as the director of several episodes of the Hammer House of Mystery and Suspense series in 1984 and 1985.
Private life and honours
Originally married to Pat Watson, the couple divorced after Guest fell in love with American actress Yolande Donlan who eventually became his wife in 1954; Donlan appeared in eight of his films during the 1950s. After Guest retired in 1985, the couple lived together in retirement in California.
In 2004, a Golden Palm Star on the Palm Springs, California, Walk of Stars was dedicated to Guest and Donlan. Guest died in a hospice in Palm Desert, California from prostate cancer.
Filmography
Director
Screenwriter
References
External links
- Val Guest on IMDb
- Val Guest at BFI Screenonline
- Val Guest at the Encyclopedia of Fantastic Film and television
- Tribute to Val Guest at The Thunder Child Science Fiction Webzine
Source of the article : Wikipedia
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